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The Accidental Author: Lessons Learned from Writing a Children’s Book

The Accidental Author: Lessons Learned from Writing a Children’s Book

When I was recently asked to write an article on writing for children, I thought to myself, what do I know about writing for children? True, I just had a children’s book published, but I still thought of that as kind of an accident. Truth is, I have never been been singled out for my writing talent, I had never considered myself a writer, and I had never written a single story, until about three years ago.

What I had always been was a frustrated artist. As a child, I was never caught without my trusty sketchbook. In college, I studied architecture because it involved a lot of drawing. And when I became a mother, I painted goofy animals to entertain my daughter. It was when the goofy animals ate up much of the wall space in our home that my husband suggested that I try my hand at illustrating children’s books. An interesting idea, I thought. A bit pie in the sky, but I liked it. Illustrating children’s books, yes, that could be fun!

I soon realized that before I could illustrate anything, I needed a story. Not quite sure how to proceed, I took my computer, tucked myself into my favorite corner of the local Starbucks, and tried to conjure up a children’s story. Dr. Suess came to mind. Eric Carle came to mind. Goodnight Moon came to mind. Somewhat baffled by the process, I t tried to imagine a story that my daughter Zoe would like. At the time, Zoe was highly focused on caterpillars turning into butterflies. In fact, several times a day, she would reenact a metamorphosis by rolling herself in a blanket, counting to fourteen, and emerging with wildly flapping arms. Zoe’s metamorphosis was always a joyous event. I asked myself, what would Zoe think of a caterpillar that didn’t want to be a butterfly? Surely that idea would intrigue her. The story came quickly from that germ of an idea as I began to imagine a wonderfully whimsical caterpillar world that my main character would be loathe to leave.

Truth is, I absolutely loved writing that first children’s story. After doing a bit of research about children’s book publishing, I learned that publishers do not want illustrated manuscripts (unless you are Dr. Suess or Eric Carle). Publishers look for good stories, and then for illustrators. The writer and the illustrator are rarely the same person. I quickly abandoned the idea of illustrating my own story, and decided to send my story to publishers unillustrated. In my house, this was considered I-Love- Lucy-wacky. I had never aspired to be an author, and here I was sending manuscripts out to publishing houses. I guess I had some small hope that some one would like my story as much as I enjoyed writing it.

In the ensuing months, I got a steady flow of rejection letters. At around six months, the letters quit coming and, at about eight months, I forgot about about my story altogether. Then, a year later, I received a phone call while vacationing in Mexico. It was from New Horizon Press, and the woman on the line was telling me that she wanted to publish my story. You can imagine my total shock, surprise and delight!

That was a about a year and a half ago. I have since been through the editing process. A wonderful illustrator was chosen for my story, and it was published this June.

So, given my experience, what do I know about writing children’s books? I know that you picture your audience. You write something that you think will tickle them, but that also tickles you. You tune into how your main character feels, and you add a bit of magic to your story.

That’s about it. I am still learning myself, taking writing classes and honing my craft. While, at this point, I don’t have a lot of advice on writing, I do have some advice about finding your passion. It can come at any age (did I mention that I am 47?), and, if you allow for it, it just might turn out to be something completely unexpected.


How One Popular Children’s Books Author Expresses Her Creativity Through a New Medium

How One Popular Children’s Books Author Expresses Her Creativity Through a New Medium

Anyone who knows Kimberly Wickham’s whimsical and mystical Angels and Horses series knows her talent, not only for creative writing, but for the visual medium as well. The exquisitely drawn artwork that decorates the three books in the series “Angels and Horses,” “Summer of Magic Horses,” and the forthcoming “Angels, Horses, and Other-Worldly Lessons” is perhaps to be expected; Wickham spent over twenty years studying and working to become an arts educator, and holds degrees in Art, Teaching, Art History, and a master’s in Humanities. But now Kimberly Wickham is branching out – her artwork, in cards, Giclee paintings, and print form, is available for stand-alone purchase through her website, http://www.kimberlywickham.com

Wickham’s unique style reflects the philosophy that underlies her Angels and Horses series of popular children’s books. The books, which detail the adventures of lonely middle schooler Tina and her beloved pet horse Dancer as they discover metaphysical principles of the world around them with the help of TIna’s guardian angel Marguerite, explore the “law of attraction,” a concept popularized with the recent publication of self-help phenomenon “The Secret.” According to this law, anything is possible at the quantum level, and positive thinking can literally “change the world” for you. Wickham’s art reflects this belief in a world of magic – chairs collapse into waves, horses sit up and talk – inspiring children to believe in a new way of thinking.

Among the works you can find on the site are:

THE COMFORTING HORSE – picturing a horse sitting upright wrapping its powerful legs around the shoulders of a crying young girl, keeping her safe and warm.

CHAIR COLLAPSING INTO ITS WAVE POTENTIAL – in which a simple household object comes apart at the quantum level and become one with the surrounding environment.

OVER THE COSMIC LATTICE – a magical entry on horseback to a world much richer and more mysterious than our own.

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Townsend Author Presents Children?s Book on Autism at Townsend Library on Saturday, June 21

Townsend Author Presents Children?s Book on Autism at Townsend Library on Saturday, June 21

Cheryl Pillsbury, an author and resident of Townsend, Massachusetts, in

association with AG Press, announced today the launching of her new book

children’s book entitled “AMIE.” To celebrate the launch, there will be a

book signing and a book reading for two age groups at the Townsend Library,

276 Main Street, Townsend, Mass. on Saturday, June 21. The first session

begins at 10 a.m. for younger children and a second session commences at 12

noon for teens.

“AMIE” is drawn from Cheryl’s personal experiences of raising a daughter is

diagnosed with Autism. Cheryl writes, “These are the stories of a

five-year-old autistic girl and discovering the world through her eyes. She

discovers life and miracles in her own backyard. Amie has a very special

bond, a special love with her father, Mark. He takes Amie out to many small

adventures and both learn about wonders of everyday life.”

Residents, friends and neighbors are invited to attend this book signing and

to read and enjoy this book about the simple pleasures in life, as Amie and

her dad learn about this world we live in. One third of the proceeds of

this book will benefit Autism Research.

Cheryl Pillsbury is also the author of Peleport (a fantasy about mutants

living on an island); Angus Grady (for 17 and up); Bradley and Farley (for

17 and up, a detective series) and a vampire series (for adults).

About AG Press

AG Press is a print-on-demand publishing/printing company for authors who

wish to have their manuscript(s) published and experience that indescribable

feeling from seeing their story and name in print.

For more information about the Townsend Library event or Cheryl Pillsbury’s

books, please visit AGPress.50megs.com, or contact Cheryl at (978) 300-5178,

FKNight420@Comcast.net.

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American-muslim Author Promotes Islam?s Anti-slavery Message in New Children?s Book

American-muslim Author Promotes Islam?s Anti-slavery Message in New Children?s Book

“Writing this book was like living through an epic adventure for me,” described Corey Habbas, author and illustrator of The Runaway Scarf (Muslim Writers Publishing, 2008). In an interview, Habbas described the process of transforming her idea into a Muslim children’s book, a series of events that took nearly 4 years from concept to publication.

Habbas was concerned that a non-Muslim entertainment media often portrays Muslims as oppressive in many television and cinematic productions. Habbas, as well as many other Muslims living in America, feel that these distorted portrayals make it more likely that non-Muslims draw the false conclusion that Islam condones oppression.

Habbas asserts, “There are so many Qur’an verses and haddiths that speak against oppression.”

Dr. Muzammil H. Siddiqi, the President of the Fiqh Council of North America, states in an IslamOnline.net fatwa question and answer forum on slavery, “The Qur’an teaches that freeing the slaves is a great virtue (See Surah 90:13). One of the expenditures of zakah (obligatory charity) is to spend the money for the freedom of the slaves (surah 9:60). It is forbidden in Islam to enslave a free person.”

Habbas wanted to convey similar concepts to children in an entertaining and captivating way, so after happening upon a hadith that spoke of a slave who left her oppressors, Habbas wrote a children’s story. She then spent a year planning and illustrating the drawings by hand.

“Previous to 2007 the book was to be subsidy published by another individual who had agreed to sponsor it through their business. Then funds dried up,” recalls Habbas who spent a long waiting period hoping that funds would become available.

When that didn’t happen, Habbas then considered self publishing her story and drawings, that is, until Muslim Writers Publishing picked up the manuscript.

“Muslim Writers Publishing was wonderful to work with. Linda really invests a lot of her time making sure that the publication process is transparent to the author. I felt really grateful about that,” says Habbas. “I pray that the book will be something of value for parents, educators and children.“

Habbas notes that the act of writing fiction for Muslims can bring with it a big responsibility to ensure that Islamic values are presented accurately and that fact is separate from fiction. Habbas says this is why the book contains a disclaimer stating that The Runaway Scarf is a work of fiction and that parents and teachers must make sure to instill in children the ability to discern the difference.

“Teaching Islamic concepts to children in creative ways, brings with it a heavy responsibility of making sure students understand the difference between concepts taught by other means and the actual scripture itself,” offers Habbas. She plans to provide a free online teaching supplement so that educators can use The Runaway Scarf in classroom lessons.

She is also hoping that K-12 librarians and educators in the United States use the book to expose non-Muslim children to Islamic culture and heritage.

Habbas says, “It would mean a lot if The Runaway Scarf made it outside of the Muslim community. It would be like a door opening between Muslim and non-Muslim kids.”

The Runaway Scarf is a 52 page, color-illustrated paperback book, published by Muslim Writers Publishing and is available for purchase from stores including Amazon.com, BarnesandNoble.com and other bookstores.

Muslim Writers Publishing, a traditional publishing business, is based in Arizona and is owned by Linda Delgado, founder of the Islamic Writers Alliance. MWP specializes in English Language Islamic Fiction (ELIF) titles for adults, teens and children.

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